Saturday, January 26, 2008

Singapore stops foreigners from singing

Singapore stops foreigners from singing complaints

Saturday, Jan 26, 2008 6:20PM UTC

SINGAPORE (Reuters) - A choir that planned to sing a list of complaints about life in Singapore cancelled its performances after the city-state banned its foreign members from singing, organizers said on Saturday.

The 60-member "complaints choir", a concept that originated from two Finnish artists, was scheduled to perform at a weekend festival but authorities granted a performance license on the condition that the foreigners would not participate.

"Our conductor is Malaysian, so how could the choir go ahead without him?" said Melissa Lim, the festival organizer.

Singapore's Media Development Authority said the license was conditional because the lyrics touched on "domestic affairs" and it preferred only Singaporeans take part.

Some of the complaints that would have been sung included, "when a pregnant lady gets on the train, everyone pretends to sleep" and "when I'm hungry at the food court, I see people (reserve) seats with tissue paper".

Singapore, which faces a low birth rate and a graying population, has turned increasingly to immigrants to boost its work force. It aims to add another 2 million people to the island's 4.7 million people over the next 40 to 50 years.

The city-state is frequently criticized by human rights groups for its restrictions on expression and the media.

(Reporting by Melanie Lee; Editing by Michael Winfrey)

Wednesday, January 23, 2008

my tribute to LED ZEPPELIN





Formed from the ashes of British blues-rockers the Yardbirds, Led Zeppelin shot to the stratosphere in the early 1970s. With Dionysian frenzy and a blast of blues-drenched riffs, they became one of the biggest bands of the era. Their intense musical excursions helped define the sound of hard rock, while their penchant for folk balladry added to their mystique as rock gods. The group called it quits after the death of drummer John Bonham in 1980, and remaining members Robert Plant, Jimmy Page, and John Paul Jones pursued (mostly) separate musical ventures.
Biography

This pivotal heavy rock quartet was formed in October 1968 by British guitarist Jimmy Page (b. James Patrick Page, 9 January 1944, Heston, Middlesex, England) following the demise of his former band, the Yardbirds. John Paul Jones (b. John Baldwin, 3 June 1946, Sidcup, Kent, England; bass, keyboards), a respected arranger and session musician, replaced original member Chris Dreja, but hopes to incorporate vocalist Terry Reid floundered on a contractual impasse. The singer unselfishly recommended Robert Plant (b. 20 August 1948, West Bromwich, West Midlands, England), then frontman of struggling Midlands act Hobbstweedle, who in turn introduced drummer John Bonham (b. 31 May 1948, Birmingham, England, d. 25 September 1980), when first choice B.J. Wilson opted to remain with Procol Harum. The quartet gelled immediately and having completed outstanding commitments under the name "New Yardbirds", became Led Zeppelin following a quip by the Who's Keith Moon, who, when assessing their prospects, remarked that they would probably "go down like a lead Zeppelin".
They were guided and managed by Peter Grant (b. 5 April 1935, London, England, d. 21 November 1995). He was best known as the heavyweight manager of all UK rock groups, both in size and stature. Armed with a prestigious contract with Atlantic Records, the group toured the USA supporting Vanilla Fudge prior to the release of their explosive debut, Led Zeppelin, which included several exceptional original songs, including "Good Times, Bad Times", "Communication Breakdown", "Dazed And Confused' - a hangover from the Yardbirds" era - and skilled interpretations of R&B standards "How Many More Times?" and "You Shook Me". The set vied with Jeff Beck's Truth as the definitive statement of English heavy blues/rock, but Page's meticulous production showed a greater grasp of basic pop dynamics, resulting in a clarity redolent of 50s rock 'n' roll. His staggering dexterity was matched by Plant's expressive, beseeching voice, a combination that flourished on Led Zeppelin II.
The group was already a headline act, drawing sell-out crowds across the USA, when this propulsive collection confirmed an almost peerless position. The introductory track, "Whole Lotta Love", a thinly veiled rewrite of Willie Dixon's "You Need Love", has since become a classic, while "Livin' Lovin' Maid (She's Just A Woman)" and "Moby Dick", Bonham's exhibition piece, were a staple part of the quartet's early repertoire. Elsewhere, "Thank You" and "What Is And What Should Never Be" revealed a greater subtlety, a factor emphasized more fully on Led Zeppelin III. Preparation for this set had been undertaken at Bron-Y-Aur cottage in Snowdonia (immortalized in "Bron-Y-Aur Stomp"), and a resultant pastoral atmosphere permeated the acoustic-based selections "That's The Way" and "Tangerine". "The Immigrant Song" and "Gallows Pole" reasserted the group's traditional fire and the album's release confirmed Led Zeppelin's position as one of the world's leading attractions. In concert, Plant's sexuality and Adonis-like persona provided the perfect foil to Page's more mercurial character, yet both individuals took full command of the stage, the guitarist's versatility matched by his singer's unfettered roar.
Confirmation of the group's ever-burgeoning strengths appeared on Led Zeppelin IV, also known as "Four Symbols", the "Runes Album" or "Zoso", in deference to the fact that the set bore no official title. It included "Stairway To Heaven", a group tour de force. Arguably the definitive heavy-rock song, it continues to win polls, and the memorable introduction remains every guitar novice's first hurdle. The approbation granted this ambitious piece initially obscured other tracks, but the energetic "When The Levee Breaks" is now also lauded as a masterpiece, particularly for Bonham's drumming. "Black Dog" and "Rock 'N' Roll" saw Zeppelin at their immediate best, while "The Battle Of Evermore" was marked by a vocal contribution from Sandy Denny. IV was certified as having sold 16 million copies in the USA by March 1996. However, the effusive praise this album generated was notably more muted for Houses Of The Holy. Critics queried its musically diverse selection - the set embraced folk ballads, reggae and soul - yet when the accustomed power was unleashed, notably on "No Quarter", the effect was inspiring. A concurrent US tour broke all previous attendance records, the proceeds from which helped to finance an in-concert film, issued in 1976 as The Song Remains The Same, and the formation of the group's own record label, Swan Song.
Bad Company, the Pretty Things and Maggie Bell were also signed to the company, which served to provide Led Zeppelin with total creative freedom. Physical Graffiti, a double set, gave full rein to the quartet's diverse interests, with material ranging from compulsive hard rock ("Custard Pie" and "Sick Again") to pseudo-mystical experimentation ("Kashmir"). The irrepressible "Trampled Under Foot" joined an ever-growing lexicon of peerless performances, while "In My Time Of Dying" showed an undiminished grasp of progressive blues. Sell-out appearances in the UK followed the release, but rehearsals for a projected world tour were abandoned in August 1975 when Plant sustained multiple injuries in a car crash. A new album was prepared during his period of convalescence, although problems over artwork delayed its release. Advance orders alone assured Presence platinum status, yet the set was regarded as a disappointment and UK sales were noticeably weaker. The 10-minute maelstrom "Achilles Last Stand" was indeed a remarkable performance, but the remaining tracks were competent rather than fiery and lacked the accustomed sense of grandeur. In 1977 Led Zeppelin began its rescheduled US tour, but on 26 July news reached Robert Plant that his six-year-old son, Karac, had died of a viral infection. The remaining dates were cancelled amid speculation that the group would break up.
They remained largely inactive for over a year, but late in 1978 they flew to Abba's Polar recording complex in Stockholm. Although lacking the definition of earlier work, In Through The Out Door was a strong collection on which John Paul Jones emerged as the unifying factor. Two concerts at Britain's Knebworth Festival were the prelude to a short European tour on which the group unveiled a stripped-down act, inspired, in part, by the punk explosion. Rehearsals were then undertaken for another US tour, but in September 1980, Bonham was found dead following a lengthy drinking bout. On 4 December, Swan Song announced that the group had officially retired, although a collection of archive material, Coda, was subsequently issued.
Jones went on to become a successful producer, notably with the Mission, while Plant embarked on a highly successful solo career, launched with Pictures At Eleven. Page scored the movie Death Wish 2 and, after a brief reunion with Plant and the Honeydrippers project in 1984, he inaugurated the short-lived Firm with Paul Rodgers. He then formed the Jimmy Page Band with John Bonham's son, Jason, who in turn drummed with Led Zeppelin on their appearance at Atlantic Records' 25th Anniversary Concert in 1988. Despite renewed interest in the band's career, particularly in the wake of the retrospective Remasters, entreaties to make this a permanent reunion were resisted. However, in 1994 Page and Plant went two-thirds of the way to a re-formation with their ironically titled Unledded project, though John Paul Jones was conspicuous by his absence (for want of an invitation).
The duo cemented the relationship with an album of new Page And Plant material in 1998.
The discovery and release of live tapes and video footage in 2002 carried the Led Zeppelin phenomenon over into the new millennium. Decades after their demise, the triple-live CD How The West Was Won entered the Billboard chart at No 1 in June 2003. Although their commercial success is unquestionable, Led Zeppelin are now rightly recognized as one of the most influential bands of the rock era and their catalogue continues to provide inspiration to successive generations of musicians.


DISCOGRAPHY: Led Zeppelin (Atlantic 1969)****, Led Zeppelin II (Atlantic 1969)****, Led Zeppelin III (Atlantic 1970)****, Led Zeppelin IV (Atlantic 1971)*****, Houses Of The Holy (Atlantic 1973)****, Physical Graffiti (Swan Song 1975)****, Presence (Swan Song 1976)***, The Song Remains The Same film soundtrack (Swan Song 1976)**, In Through The Out Door (Swan Song 1979)***, Coda (Swan Song 1982)**, BBC Sessions (Atlantic 1997)****, How The West Was Won 3-CD live set (WEA 2003)****.

COMPILATIONS: Led Zeppelin 4-CD box set (Swan Song 1991)****, Remasters (Swan Song 1991)****, Remasters II (Swan Song 1993)***, Early Days: The Best Of Led Zeppelin Volume One (Atlantic 1999)****, Latter Days: The Best Of Led Zeppelin Volume II (Atlantic 2000)****, The Very Best Of Led Zeppelin: Early Days & Latter Days (Warners 2003)****
.
VIDEOGRAPHY: The Song Remains The Same (Warner Home Video 1986), Led Zeppelin (Warner Music Vision 2003), Inside Led Zeppelin: 1968-1972 (Classic Rock Legends 2004).
taken from mystrands.com/artist

Tuesday, January 22, 2008

Premier League clubs break transfer record

This article was sent from:
http://mobile.reuters.co.uk

Premier League clubs break transfer record

Tuesday, Jan 22, 2008

By Alastair Sharp

LONDON (Reuters) - Premier League clubs have spent a record amount on January transfer deals this year, despite the threat of global recession and chaos in credit markets around the world.

With nine days remaining before the transfer window closes for the season, around 93 million pounds has been spent by English clubs on new signings, already eclipsing the 81 million pounds spent two years ago and the 63 million last year.


Earlier this month, Chelsea, protected from the real economy by billionaire owner Roman Abramovich's cheque book, paid Bolton 15 million pounds for French striker Nicolas Anelka and spent nine million on Lokomotiv Moscow defender Branislav Ivanovic.

Moving from Bolton to Stamford Bridge also made Anelka the most expensive player ever, with a total of 86 million pounds spent by various clubs wanting his services since he moved from Paris St Germain to Arsenal as a 17-year-old for 500,000 pounds in 1997.


Rivals Liverpool spent six million pounds on 23-year-old defender Martin Skrtel from Zenit St Petersburg, making the Slovakian the most expensive defender in Liverpool history.


Liverpool themselves are the target of a buyout, with sovereign investment fund Dubai International Capital widely reported in the English media as offering their American owners 300 million pounds for the club.

RISING REVENUE

John Williams, director of the Centre for the Sociology of Sport at the University of Leicester, told Reuters the continually rising revenue from television coverage was the main factor affecting the record spending.

"Consistently since 1992, pundits have speculated that the next television deal must be lower," Williams said. "And every year since 1992 the television deal has actually been higher."

The most recent three-year television rights sale, covering seasons until 2010, brought in 1.7 billion pounds for the Premier League, two-thirds more than the previous agreement.

Rights for television highlights packages and overseas broadcasting rights are negotiated separately.

"The clubs are happy to pay these sums of money because they presumably feel that on the basis of the evidence they have, the television income for the game will remain as solid and as buoyant as it is now," Williams said.

Another factor encouraging investment is the financial reward available for teams staying in the top tier and qualifying for the Champions League.

Williams estimates that relegation from the Premier League costs a club up to 50 million pounds, while the immediate benefit of Champions League qualification to a group-stage level could be worth up to 20 million pounds.

"The other returns are potentially much larger than that," Williams said. "If a club can stay in the Champions League for a while they can recruit better players, it means you get better sponsors, it means you can raise your ticket prices, it means you can get people buying shirts from around the world."


STRUGGLING CLUBS


At least one million pounds has been spent on 22 other transfers so far, with some of the Premier League's struggling clubs spending heavily in an attempt to avoid relegation.

Derby, almost certain to go straight back to the Championship (second division) after winning just one of their 23 league games to date, paid 1.1 million pounds to Blackburn Rovers for Welsh international midfielder Robbie Savage and spent two million on 25-year-old Argentine striker Emanuel Villa.

Among other clubs looking over their shoulders at the drop, 16th-placed Birmingham paid Everton five million pounds for Scottish international James McFadden and bought David Murphy from Hibernian for 1.5 million.

Fulham, who have also plummeted down the table after a poor run of form, appointed Roy Hodgson to turn around fortunes at the club.

He promptly signed Brede Hangeland from FC Copenhagen and a five-million-pound bid for Watford striker Marlon King is still being negotiated.

For now, Premier League clubs can be sure of a strong balance sheet due to television fees and healthy sponsorship deals.

However, the next auction of Premier League coverage is due in 2009 and, with a global slowdown looming, may not bring in as much money.

"They (clubs) may look at the wider economic picture and maybe begin to question their assumptions," Williams said.

(Editing by Mike Collett)